There’s a magic to the cabeceo. To make eye contact across a room, with a woman I’ve never met before, whose name I do not know, whose language I may not speak, and be able to invite her to dance – and have my invitation accepted – without a single word being exchanged.
Cabeceo is, for me, one of the most beautiful things about tango. I love it for its practicality, but also for its poetry. For me, it’s the first step in the dance …
Continue reading The practicality and poetry of the cabeceo: Where the dance begins
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