Category Archives: Workshop

Finally achieving a long-held ambition to write a short blog post about the Feast!

Given that the Feast is not only my favourite tango festival but also the most frequent, I’ve written the occasional blog post about it in the four years I’ve been coming. Each time, I think I can’t possibly have anything new to say, and every time I write several thousand words.

But this time I’ve finally achieved my long-held ambition to write a short post! Anyone feeling short-changed by this will find some video compensation at the end …

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Tango from the Inside Out, with Valentina Garnier & Juan Amaya

I don’t do many group classes or workshops, as the vast majority of them are very sequence-based. But if you wanted to title a workshop with me as your target, you really couldn’t do any better than From Embrace to Step: Exploring Tango from the Inside Out.

Further reassurance was provided by the fact that Valentina Garnier & Juan Amaya are known for their milonguero style dance, even in the majority of their performances …

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Milonga with Diego; a workshop with Corina and Ines; and an unusual Tango Garden

Milonga (the dance) and I have an unusual relationship.

Most leaders run a mile from it during their early years; I didn’t. Because I could dance to the beat long before I had the vocabulary to dance to the melody, I was actually very happy with milonga tandas from a very early stage. And because a lot of leaders hide, it made it very easy to get dances, even as a raw beginner.

But as my lyrical dance emerged and evolved, my rhythmical dance felt increasingly unsatisfactory – all the more so at milonga speeds. I wasn’t so much afraid of boring followers as feeling bored by my own dance. I was doing the usual leader’s milonga journey in reverse: I’d now become one of the leaders who avoid it …

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Giros, contra-giros and following with Los Ocampos

Los Ocampos.jpg

The teachers – Omar Ocampo and Monica Romero, aka Los Ocampos – have an excellent reputation, and I’m of the view that I can never have too many giro lessons. Plus it was organised by Queer Tango London, so I was assured of a fun atmosphere.

The workshop covered a version of the giro which I’d never been taught before. At its simplest, it was:

  • Leader back diagonal step, leading follower side-step
  • Leader collects, leads follower forward step
  • Leader pivots on both feet, leads follower side-step
  • Leader completes pivot, enters walk, leading follower back-step

It felt slightly confusing at first as it seemed to be three steps rather than four, but then I realised that the follower does complete a full sequence of side-forward-side-back – it’s just that the back step then becomes the first step of the walk.

The first variation was to do the same thing clockwise rather than anti-clockwise. It felt slightly trickier, but I think that would just be a matter of practice.

Next was the original version with a sacada on the follower’s second side-step. I don’t have much experience of sacadas, but this one actually felt relatively easy.

I’ve always understood intellectually that a sacada is an illusion; that you are stepping into the space the follower is leaving, though my only practical experience of a foot sacada is, I think, a sequence in the forward ocho where I then step around her into a parada. But this one made perfect sense: because the follower is pivoting around into her back-step, the illusion of taking her space and’ forcing’ the turn is quite convincing.

There was then a version with two sacadas. I ducked out at this point! I do think the two-sacada version would make sense to me once I’d had enough practice at the single-sacada sequence, but attempting it now wasn’t going to be pretty.

I’d already had enough challenge for one evening: being a Queer Tango event, everyone swapped roles, so I was learning to follow as well as lead the sequence! That was … challenging. I did have to let everyone know that they’d need to use some combination of brute force and telekinesis to lead me.

It was, though, very useful as well as comedic. In particular, I found one of Omar’s following tips for the giro made a huge difference: just follow the leader’s shoulder. Once I started doing that, it made it much more obvious which direction I needed to go, and that was really 60% of the lead. It was really helpful to get such a practical demonstration of that.

The teachers are great fun, and the QTL crowd as friendly as can be, so it was a lovely evening.

More tango tomorrow, of course, at the Tango Space milonga, where Mara Ovieda will once again be DJing. Should be good!

Walking and Musicality: a workshop with the Costas

costas

Meeting one’s heroes can be dangerous! I’ve long been an admirer of Adrian’s walk, having seen it in countless videos, so there is a certain risk involved in doing a workshop with him – but fortunately it was good!

While I love ochos and am now very much more confident with giros, walking remains my absolute favourite part of the dance. Some of my all-time favourite dances have been when there was room to walk, with a follower who enjoys it as much as I do. So a ‘Walking and Musicality’ workshop with Adrian and Amanda Costa was irresistible …

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A great workshop with Veronica Vazquez: axis, embrace, and a little role-swapping

connection

Today was quite a long day. It started with a severe hangover thanks to dinner with friends on Friday night (where there was Drunk Tango), then the anti-Brexit march. It ended with an 8-10pm workshop with Veronica Vazquez.

I’ve done a number of workshops which were billed as pure technique, but many of them include step sequences which I personally find distracting. Fortunately, tonight’s one completely lived up to its billing …

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A mixed day, but began and ended on a high note, so calling it good

mixed day

Today was a rather a mixed day. Started well, went downhill and looked like it wasn’t going to get any better, but was rescued in the end.

It began with the unofficial practica, which we’re currently hosting at home while the numbers permit. There were eight of us today, which was a full house …

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A perfectly-timed giro technique workshop

giro workshop

Ok, so I’m doing three lessons this week – two group classes and a private – but the extra group class was a special case. It was on the giro, my main focus at present; it was a technique workshop; and it was run by Olga, who ran the excellent musicality series (1, 2, 3, 4) …

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I love vals, but vals workshops don’t seem to be my friend …

embarrassed

The last vals workshop I did, back in June (a time that already feels a lifetime ago), wasn’t a notable success. I’m hopeless at switching between single- and double-time in general, so something that required me to do so quickly and learn a new sequence was never likely to end happily.

I was hoping today’s vals workshop with Juan Martin and Steffi might be a different story; sadly that was not to be …

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Musicality workshop #4 of 4: The emotional and human side of musicality

human musicality

The official title of the final musicality workshop was The freedom of expression. The emotional and the human side of musicality in tango. Olga said last week that it would be all about finding our own personality in the dance.

I’ve written at length about where I think I’m headed, but I was very curious to see what perspectives Olga would offer, and whether that might in any way change my expectations and aspirations …

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Musicality workshop #3 of 4: The delightfully mundane secret to a collaborative dance!

collaborative dance

Tonight’s musicality class was all about collaborative dance: Response to our partner. To agree, to change, to add.

To me, the transition from me leading everything to a collaborative dance is one of the most exciting prospects. I’d previously seen this as a very advanced skill, one where I’d have to develop my own dance skills to a high level first, but Diego Bado had given me a different perspective on it. Paraphrasing him from a conversation we had …

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One small step for man and woman, one giant leap for their tango

one small step

I love technique workshops, because the changes you make as a result of them are often tiny, but the payoff can be huge.

The seemingly infinite amount of refinement possible with the tango fundamentals is really quite astonishing. The walk is the obvious example, but as today’s workshop demonstrated, the same is true of the embrace …

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Three workshops in a day – or not winding down quite yet …

speed

As I mentioned last time, my plan to tone things down doesn’t kick in quite yet. Today had two afternoon Tango Better workshops with visiting teachers Fausto Carpino & Stephanie Fesneau, followed by an evening Tango Space one on the milonga rhythym.

The first workshop was on Connection and lead, which sounded like it could be relied on to be exploring fundamentals rather then requiring me to learn new steps. The same wasn’t going to be true of Milonguero Turns, but they did make learning the steps very easy …

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Musicality workshop #2 of 4: Melody and counter-melody

musicality-2

Although I’ve vowed to rein-in my tango schedule, there is a slight lag as I complete my booked workshops – including the remaining three musicality workshops. Last week was about switching between dancing the beat and the melody, and this week took things to the next level: switching between the melody and the counter-melody …

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Momentum in lead and follow

Momentum

I signed-up for an interesting-looking workshop. I hadn’t made the connection, but this turned out to be because the teacher, Veronica Toumanova, was the author of Why Tango.

The workshop was called Using momentum to lead and follow, and it started well …

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Musicality workshop #1 of 4: Rhythm, melody & bridge

musicality

It’s amazing how far being able to walk to the beat and the phrase will get you in your very early days in tango. I struggled with pretty much everything else, but I could land on the beat, and I could do a weight-change to mark the end of a phrase.

It was this, not any aspect of my technique, which led to experienced dancers giving me that famous ‘you’re going to be a really nice dancer‘ backhanded compliment …

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Learning from a class beyond my abilities

intermediate class.jpg

I’d mentioned on a tango Facebook group that I was looking for tips to help me avoid leading with my arms. I got lots of helpful responses, and Mark Phoenix also suggested I join the Strictly Practica event they were running on Sunday so he and Nozomi could offer some help.

The afternoon began with a workshop from a visiting teacher, Martin Ojeda. The phrase ‘visiting teacher’ is normally code for ‘stuff way too advanced for me,’ so my plan had been to attend the practica only, but Mark promised Nozomi would work with me on simpler versions, so I took a deep breath …

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Follower’s liberation – and this leader’s too!

followers-liberation

Every now and then, my now-ex tried to persuade me to do a class which is clearly aimed at a much higher level than my own.

It’s not normally as crazy as it seems, as I’ve noticed that advanced classes run by visiting teachers are often wholly or mostly technique focused, so it wouldn’t be a show-stopper if I couldn’t do any specific sequence they happened to use as an example. But on this particular occasion, the class that seemed to apply only to some dimly-imagined point in my far-off future …

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The power of pausing, the three rhythms of tango – and fun!

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Tonight was the monthly Tango Space workshop, this one on the three rhythms of tango: tango, vals and milonga. For those new to tango, see this backlink.

I was already familiar with the theory, and a little of the practice. But it was great to get some concrete tips and to have an opportunity to try to put them into practice in a milonga environment; when the workshops are as busy as tonight, you effectively get a crowded milonga for the exercises …

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