Category Archives: Practica

A six-year tale of adding, subtracting and re-adding pieces to my tango jigsaw puzzle

There’s a phenomenon I’ve heard a number of leaders discuss, of growing bored with their own dance within a couple of years. The theory is that while a follower gets a different dance from every leader, a leader only gets to experience their own dance over and over again.

While that sounded logical, it didn’t turn out to be true for me for a long time, for a number of reasons. But let’s begin at the beginning (and if you don’t already have a cup of tea, you might want to make one now) …

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After two highly successful failures, I finally made it to the Tango Secrets practica

When a practica is held weekly, and it’s a direct train ride away, you wouldn’t imagine it would be too challenging to get there. Yet it’s taken me … a while, and tonight was actually my third attempt!

Mind you, my two previous attempts were remarkably successful as failures go …

Continue reading After two highly successful failures, I finally made it to the Tango Secrets practica

Sumate is one of the rarest things in London tango: a joyful and genuine practica

There have been two practicas I’ve been meaning to try forever. Having recently been given the go-ahead to resume dancing, I took the opportunity to try the first of these: Sumate (Spanish for ‘join us’).

Practicas are surprisingly rare things in tango, and Sumate was not only the genuine article, but a joyful experience …

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Solving the problem of how to get more following practice, with a visit to Queer Tango London

I was rather shocked to see that my last following lesson was way back in September! I had another private with Emma in the diary for a week ago, but unfortunately she caught a nasty bug and then disappeared off to India. (Bit of an extreme way to avoid subjecting herself to my following, if you ask me.)

I knew I desperately needed more practice, but I’d felt hesitant about doing more than extremely occasional intercambio tandas at milongas, for two reasons …

Continue reading Solving the problem of how to get more following practice, with a visit to Queer Tango London

A back cross private with Emma, and a practica to put it to the test

I don’t generally use my privates to work on figures, but I did want to add the back cross. There are times when a slow rebound feels right for the music, but I also feel I over-use them, so wanted to have something which had a similar feel to it, but allowed more variety.

I’d had a private on this a loooong time ago, but because I hadn’t felt confident enough to use it in milongas, I’d long since forgotten how it worked. So that was Emma’s task last night …

Continue reading A back cross private with Emma, and a practica to put it to the test

An amazing leading dividend from just two lessons as a follower

While leading and following are two very different mindsets, the technique is the same – just that followers need more of it at any given level.

I knew from past experience that following is a very powerful tool for improving my lead, but I really couldn’t believe the extent to which this paid off after just two (new) following lessons …

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Three years in, learning to stand, walk and turn

Being a tango teacher must take a special kind of patience. Learning to dance takes so long that the only way it will ever happen is via shortcuts. Things that are good enough to work, to get people to the stage where they can dance.

Along the way, they have to turn a temporary blind eye to really fundamental technique issues that will need to be addressed further down the road. Things like learning to stand, walk and turn …

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The healing power of tango, and musical hilarity

I’m currently awaiting a hospital referral for recurring abdominal pain which has left me largely out of action for the past month or so. The unpredictability of when the pain will strike, coupled to tiredness from broken sleep, has made it difficult to commit to anything in advance.

However, when a friend suggested an on-the-day decision to attend the Tango Amistoso class and practica, I decided to give it a go. By the time I got there, I was already questioning the wisdom of this decision …

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A successful variation on the volcada

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The resumption of milongas still feels a way off yet, but there are definite signs that the tango world is beginning to ready itself. Some group classes are resuming, albeit for solo technique or with fixed partners, and privates are resuming on the same basis.

But lessons are of limited value without practice, so Wai Fong and I did a practice session, trying out the things we’d been learning in our privates with David – managing to choose one of the hottest days of the year to do it …

Continue reading A successful variation on the volcada

Returning to the scene of the crime, at Tango Garden

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It was on 28th October 2018 that I first ‘danced’ in a milonga at Tango Garden, after a grand total of five lessons, with the courage fostered by not knowing what I didn’t know.

Some fifteen months later, I figured the various broken limbs would have healed, and the building been repaired, so decided to pay a return visit for the 7th anniversary of the popular Saturday afternoon milonga …

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I love it when a plan comes together

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This weekend was going to be pretty tango-centric, with a practica and private on the Saturday, and a milonga on the Sunday.

Saturday got the weekend off to an excellent start …

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A fortnight’s tango fast broken with an excellent practica

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It wasn’t my plan to have a fortnight-long tango fast, but two lazy evenings, one rain-sodden day and one milonga I’d expected to happen that didn’t all conspired against me.

I was glad, therefore, that my reintroduction to tango was a practica before the milongas resume tomorrow …

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Giros, contra-giros and following with Los Ocampos

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The teachers – Omar Ocampo and Monica Romero, aka Los Ocampos – have an excellent reputation, and I’m of the view that I can never have too many giro lessons. Plus it was organised by Queer Tango London, so I was assured of a fun atmosphere.

The workshop covered a version of the giro which I’d never been taught before. At its simplest, it was:

  • Leader back diagonal step, leading follower side-step
  • Leader collects, leads follower forward step
  • Leader pivots on both feet, leads follower side-step
  • Leader completes pivot, enters walk, leading follower back-step

It felt slightly confusing at first as it seemed to be three steps rather than four, but then I realised that the follower does complete a full sequence of side-forward-side-back – it’s just that the back step then becomes the first step of the walk.

The first variation was to do the same thing clockwise rather than anti-clockwise. It felt slightly trickier, but I think that would just be a matter of practice.

Next was the original version with a sacada on the follower’s second side-step. I don’t have much experience of sacadas, but this one actually felt relatively easy.

I’ve always understood intellectually that a sacada is an illusion; that you are stepping into the space the follower is leaving, though my only practical experience of a foot sacada is, I think, a sequence in the forward ocho where I then step around her into a parada. But this one made perfect sense: because the follower is pivoting around into her back-step, the illusion of taking her space and’ forcing’ the turn is quite convincing.

There was then a version with two sacadas. I ducked out at this point! I do think the two-sacada version would make sense to me once I’d had enough practice at the single-sacada sequence, but attempting it now wasn’t going to be pretty.

I’d already had enough challenge for one evening: being a Queer Tango event, everyone swapped roles, so I was learning to follow as well as lead the sequence! That was … challenging. I did have to let everyone know that they’d need to use some combination of brute force and telekinesis to lead me.

It was, though, very useful as well as comedic. In particular, I found one of Omar’s following tips for the giro made a huge difference: just follow the leader’s shoulder. Once I started doing that, it made it much more obvious which direction I needed to go, and that was really 60% of the lead. It was really helpful to get such a practical demonstration of that.

The teachers are great fun, and the QTL crowd as friendly as can be, so it was a lovely evening.

More tango tomorrow, of course, at the Tango Space milonga, where Mara Ovieda will once again be DJing. Should be good!

A touch of BsAs in London, and dancing almost every tanda

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I’d wondered how it would feel, returning to dancing in London. Whether my familiar milongas would now feel strange. Tonight’s didn’t: lots of friends were there, and I dived straight back in.

What did feel strange was that it had been four whole days since my last milonga! Technically, three days, I suppose, since we left Yira Yira in the early hours of Saturday morning and I was at the Tango Space milonga when it started at 8pm on Tuesday. As an added bonus, there was a touch of Buenos Aires to the dance …

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A relaxed afternoon at the DNI Practica and La Maria Rolera milonga

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I got as far as the hotel lobby then had to go back upstairs for my sunglasses; seems I’d forgotten what it was like to leave the hotel in daylight.

I’d originally planned to go to La Maria Rolera to see how it compared to its sister milonga on Tuesday, but Diego was insistent I had to go to the DNI practica, and I’m certainly not going to argue with his recommendations.

I did, though, manage to go to both …

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Trying Tango y Nada Mas for the first time; a lesson in levels

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A couple of my Ms had both suggested I try a new school: Tango y Nada Mas. They run three classes, all on a Monday evening: fundamentals, improver/technique and intermediate/advanced – followed by a one-hour practica.

The plan was to try the improver/technique class, have a drink with M while we sat out the intermediate/advanced one, and then do the practica. This, it turned out, was a very sound plan …

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A mixed day, but began and ended on a high note, so calling it good

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Today was a rather a mixed day. Started well, went downhill and looked like it wasn’t going to get any better, but was rescued in the end.

It began with the unofficial practica, which we’re currently hosting at home while the numbers permit. There were eight of us today, which was a full house …

Continue reading A mixed day, but began and ended on a high note, so calling it good

A really useful hiphop-free practica, and a crowded but fantastic milonga

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Yeah, this is another lengthy blog post. You know the drill: grab a cup of tea or glass of wine before reading …

Some might argue that a 2-hour practica, 90-minute group class and 3-hour milonga is a touch enthusiastic. Indeed, an unkind person might be tempted to suggest this has shades of a return to The Crazy Days.

Especially as I was doing all of this instead of going to a friend’s birthday party, but then she is a tango teacher so is understanding of the early-stage addiction to all things tango …

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Finally losing the cross-system battle, and ‘the best you’ve ever danced’

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Today I lost a long-running battle with Fede … He kept wanting me to use cross-system, arguing that it would open up a whole new world of possibilities. I kept resisting because I felt like it would open up a whole new world of complications.

But as what I wanted was more simple ways to turn, and he said the answer to this was to be found in cross-system, I relented …

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Tango secrets

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Ok, this one, too, might sound a bit like a return to The Crazy Days, with a practica, group class and milonga all in one evening – but it’s not as bad as it sounds.

Tonight’s Tuesday milonga was temporarily relocated to O’Neill’s this week due to redecoration at the normal venue. As there was no separate room for lessons, they were offering an all-levels class which sounded like it might be fun (‘Tango Secrets’). Plus the milonga was likely to be crowded given the smaller space, so I thought the pre-class practica might be a good plan if I hoped to do any walking …

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Sore feet, for all the right reasons

Sore feet

Today was a little like going back in time to my crazy days of tango, when I signed up for every class and workshop on offer, peaking at seven classes and a milonga in one week.

Today was a two-hour practica, a 90-minute intermediate class and a milonga …

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A lesson too far, but one new turn and three old thoughts

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My temporary tango routine continues with the Wednesday and Sunday Juan Martin and Steffie classes.

I thought this blog post would be short, as I was hardly able to do anything in last night’s intermediate class. But I turned out to be very, very wrong about that. So grab a cup of tea and make yourself comfortable …

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The art of circular dancing feels tantalisingly close

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Let’s start with the bad news: the topics of tonight’s classes with Juan Martin & Steffi sounded perfect, but I didn’t feel that what they actually taught was a particularly good match for the promise.

The beginner/improver class was supposed to be on ‘the fundamentals of the embrace,’ while the intermediate one was billed as ‘figures in close embrace for crowded milongas’ …

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Two absolutely fantastic group classes with Juan Martin Carrara & Stefania Colina

Juan Martin Carrara & Stefania Colina

Given the unusual nature of what I’m seeking as my next step, it’s no surprise than the standard Tanguito classes didn’t seem an especially good match. That’s not a commentary on the quality of the teaching; it’s commentary on the gap between what most schools offer and what I actually want.

However, for a four week period, something rather different is happening at Tanguito. Namely, visiting teachers Juan Martin Carrara & Stefania Colina are taking over – and they were amazing …

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Changing direction, in small and large ways

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Tonight’s Tango Space topic was changing direction. I wasn’t sure what approach to this Fede and Julia would be taking, but in the practica beforehand M wanted to have a go at another method of doing so: the movement from the Boston intermediate class.

I’d shared the demo video of this, and M thought it looked fun. It was indeed, and I hadn’t yet succeeded in leading it as taught, so was happy to give it a go …

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Finally losing the future tense in ‘You’re going to be a very nice dancer’

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Tonight was a real breakthrough for me.

Have you ever made a decision, carried it out and then got immediate and undeniable evidence that you made the right choice? That’s what happened to me tonight …

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The cross in cross system, without getting cross

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As I started doing the improver as well as beginner classes at some random point in the cycle last time, there are things in the improver class I’ve done before, and other things I haven’t. The cross in cross system is one of the latter.

I wasn’t wildly optimistic, for a couple of reasons …

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Dropping the beginner class, and getting some bonus experience as a follower

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Many years ago, I did an introductory scuba diving course. Known as the PADI Open Water Diver course, it took four days, and comprised about a day’s theory, some swimming pool exercises and then a couple of days of diving. Do that, and you emerge as a certified diver.

Want to become an Advanced Open Water Diver? Certainly: go on to do one deep dive (30m), one navigation dive (following a compass to swim in a triangle) and three other ‘adventure’ dives (eg. a night dive), and suddenly I’m an ‘advanced’ diver – with all of eight days in the water.

Tango gradings aren’t quite that bad, but schools definitely use inflated levels designed to flatter the student …

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Momentum in lead and follow

Momentum

I signed-up for an interesting-looking workshop. I hadn’t made the connection, but this turned out to be because the teacher, Veronica Toumanova, was the author of Why Tango.

The workshop was called Using momentum to lead and follow, and it started well …

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Many calesitas, and two volcadas

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I enjoyed tonight’s Tango Space classes a lot – in large part, I realised, because half the class are now friends. So, at best, we’re going to help each other figure it out; at worst, we’re going to laugh at our failures. Tonight was a mix of the two!

The beginner lesson was on the calesita. The improver class then introduced a couple of sequences that could follow a calesita: the first was a cross-system walk into a cross with a parada and forward ocho to exit, while the second was a volcada … 

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My delusions of competence left the building

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You know I was saying I was enjoying my delusions of competence, and expecting to continue to do so until Sunday? Yeah, not so much …

In a group class today, my delusions left the building. It was doubly frustrating, as it was a class I was really looking forward to: Understanding the Vals: rhythm and phrasing – how to keep it simple but ‘vals’ to it

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Back to back ochos

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The beauty of being in the second cycle of the Tango Space beginner classes is that I’m no longer having to learn new steps, and can instead focus on my technique. Tonight’s topic was the back ocho, and I can lead workable ones, so I wasn’t going to have to worry about the what, and would be able to instead focus on the how.

That’s needed because, as I mentioned before, I’d been cheating in my ochos …

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When winging it works, and when it doesn’t

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The tango gods decided to amuse themselves this evening. The theme for the Tango Space classes is the ocho cortado, and I was already feeling comfortable with that, so felt like it was going to be a great opportunity to work on refining my technique.

Ha …

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Learning from a class beyond my abilities

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I’d mentioned on a tango Facebook group that I was looking for tips to help me avoid leading with my arms. I got lots of helpful responses, and Mark Phoenix also suggested I join the Strictly Practica event they were running on Sunday so he and Nozomi could offer some help.

The afternoon began with a workshop from a visiting teacher, Martin Ojeda. The phrase ‘visiting teacher’ is normally code for ‘stuff way too advanced for me,’ so my plan had been to attend the practica only, but Mark promised Nozomi would work with me on simpler versions, so I took a deep breath …

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Crossing roles, feet and systems

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While I felt like I’d learned a lot about leading from my three hours of following, the proof is in the pudding – and tonight the pudding was served. Two of my regular followers in the Tango Space classes asked me what I’d been doing as they could really feel a difference.

I also got a little more unexpected following practice …

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The calesita … and variations

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Back into group classes after my illness-enforced absence, and the theme was the calesita. A movement in which the follower pivots on one foot in the centre while the leader walks backwards around her.

In the beginner’s class, we did a sidestep entry, the calesita itself – and then the idea was for the leader to stop, but not stop the follower’s pivot. If all went to plan, her momentum would see her continue to pivot for about another 1/4 of a turn, by which time she should be facing the leader once more …

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Follower’s liberation – and this leader’s too!

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Every now and then, my now-ex tried to persuade me to do a class which is clearly aimed at a much higher level than my own.

It’s not normally as crazy as it seems, as I’ve noticed that advanced classes run by visiting teachers are often wholly or mostly technique focused, so it wouldn’t be a show-stopper if I couldn’t do any specific sequence they happened to use as an example. But on this particular occasion, the class that seemed to apply only to some dimly-imagined point in my far-off future …

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Changing direction

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Tango Space sends out a weekly email letting us know the theme for that week’s lessons. Usually these reveal the actual figure we’ll be learning, but this week’s email invited us on more of a magical mystery tour! The beginner’s description revealed only that it was on changing direction, while the improver’s class merely added that it would involve a cross … 

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Dancing the corrections

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Saturday saw me at Tango Garden for some guided practice with Bridgitta in the practica – plus a floorcraft exercise in the milonga.

Bridgitta started the latter by discussing some scenarios – like someone walking backwards into our space – and different ways to handle them. Then we just walked arm-in-arm so we could focus purely on floorcraft, with Bridgitta having the same view of the ronda as me.

I felt somewhat self-conscious about this strange arm-in-arm thing we were doing in a busy milonga, but it was obvious from quite a few knowing and approving smiles that this was a recognised and appreciated technique …

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A more successful variation

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Regular readers may remember that the Monday Tango Space classes have a beginner’s class, a 30-minute practica and then an improver’s class. The topic is the same for both beginners and improvers – the latter doing a ‘variation’ on the theme.

You may also recall me deciding last week to stay on for the improver’s class, with what might best be described as mixed results

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Variations …

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This week’s Tango Space class theme is the forward ocho. Although I have spent a … certain amount of time working on ochos, it was going to provide me with one thing I’ve consistently wanted: practice at pivots. I diarised two classes this week: Monday and Thursday.

Getting some practice really was great. It was a luxury to be doing something where I didn’t have to think about the logistics but could just focus on technique. I was comfortable enough that I was able to play around with the both speed and size of the ochos, and to begin to get a sense of the flexibility available in expressing quite different things with the same core movements …

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There’s something odd going on when …

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… you can’t tango but can milonga.

Ok, both are exaggerations, but all the same …

My then-gf and I rented the Tango Movement studio in Moorgate for a couple of hours (a really lovely space). Lessons are fun, but also work. It requires concentration to focus on something new, so I thought it would be good to spend a couple of hours just playing. Not trying to learn anything new, not practicing, just dancing …

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It’s pivot playtime

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I’d made one claim, and Mariano had made another. Mine was that the multiple lessons spent struggling to do an ocho were actually learning the principle of leading pivots. His was that, once one pivot clicked, others would prove massively easier to learn.

The evidence so far is that both claims are justified …

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Tango crash

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I throw myself into things. Between lessons, daily practice … books … blogs … videos. Why Tango. Tango & Chaos. Twelve Minutes of Love.

They give me a feel for the passion and romance. But also show me a world so far removed from my seven-lessons-in walk that it seems a crazy, absurd, impossible idea that I could ever aspire to set foot in a milonga in Buenos Aires, that year-away-goal designed to inspire and propel me forward …

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My first dance

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A tango dancing friend protested I was having it all too easy. Private lessons and a highly experienced follower on tap. Not like in her day, when you had to (tango) walk 43 miles through the snow in your bare feet, listening to scratchy music through a crystal radio with a broom for a dance partner …

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Five lessons and a milonga

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Curiosity and obsession …

I get curious about anything and everything. I flirt with understanding everything from the construction of modern skyscrapers to how DLR trains know where they are. But every now and then, I take an intellectual lover.

My bookmarks were packed full of articles on everything from floor-craft to musicality. Our cleaner was bemused by my practicing my walk in my home office before work. YouTube had virtually stopped recommending anything that wasn’t a tango video. From flirtatious glance to tango leaving her toothbrush in my bathroom had taken but a few weeks …

Continue reading Five lessons and a milonga